Nose Bridge to Nose Width3.0
Recession relative to frankfort plane1.3
Sydney Sweeney
Facial Harmony Analysis
Overall
6.9
Top 7%·Great harmony
Front
7.6
Top 1.2%
Side
5.7
Top 41%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0
Ideal interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
10.0
Ideal eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
10.0
Ideal eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
9.9
Excellent neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.9
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.9
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.9
Harmonious midface and jaw alignment
This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.
9.9
Excellent forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
9.8
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.8
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.8
Excellent eye size
This contributes to a harmonious midface due to the eyes being proportionate in size relative to facial width.
9.7
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
9.7
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
9.7
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.7
Excellent eye spacing
This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.
9.6
Excellent jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
9.4
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
8.9
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.9
Additional Strengths
9 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
4.0%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
4.0%
Underprojected chin
The chin lacks forward projection, creating a weak lower face appearance.
2.9%
Overly long face shape
The face is excessively tall and narrow, creating an elongated appearance.
2.5%
Medium-set cheekbones
The cheekbones are moderately low, providing limited midface definition.
2.3%
Underprojected midface
The midface is underprojected.
2.0%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
1.9%
Droopy nose
The nose droops downward, creating an unbalanced nasal profile.
1.8%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
1.3%
Overly full lower lip
The lower lip is excessively thick, creating disproportionate lip proportions.
1.2%
Overly protruded lower lip
The lower lip juts out excessively, unbalancing the lower face.
1.1%
Overly wide nose bridge
The nose bridge is excessively wide.
0.3%
Overly sharp and pointed nasal tip
The nose tip is excessively pointed, creating a harsh appearance.
0.2%
Lacking cupid's bow
The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
8.3%
Minor Proportional Variations
8 ratios showing minor proportional variations that contribute to overall harmony score.
