Total Facial Width to Height Ratio2.3
Submental Cervical Angle0.5
Harry Styles
Facial Harmony Analysis
Overall
6.9
Top 7%·Great harmony
Front
6.2
Top 22%
Side
8.0
Top 0.4%
Ratio Breakdown
Side Profile
Strengths
10.0
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
10.0
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
10.0
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
10.0
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
10.0
Ideal mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
10.0
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.9
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
9.9
Excellent midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.8
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.8
Excellent mandibular projection
This contributes to a pleasant jaw contour by indicating that the lower jaw is not recessed or overly projected.
9.8
Well-projected chin
This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.
9.7
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.7
Excellent eye spacing
This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.
9.6
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.6
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.5
Excellent eye size
This contributes to a harmonious midface due to the eyes being proportionate in size relative to facial width.
9.4
Balanced midface length
This contributes to a harmonious midface due to the midface not being overly elongated or shortened.
9.4
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.4
Excellent ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
9.4
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
9.3
Excellent interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.3
Good jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
8.7
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
10.0
Additional Strengths
2 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
5.9%
Overly compact face shape
The entire face is too short and wide, reducing overall proportion.
4.4%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
2.5%
Medium-set eyebrows
The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.
2.4%
Insufficient eye tilt
The outer corners of the eyes tilt downward, giving a droopy or sad look.
1.9%
Overly harsh and prominent jaw
The jaw has a harsher, more robust, and prominent appearance than the ideal.
1.9%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
1.9%
Long lower third
The lower face is too tall, creating an elongated chin and jaw.
1.2%
Lacking eyebrow length
The eyebrows lack adequate horizontal length.
1.1%
Short top third
The upper face (forehead) is too short, reducing vertical balance.
0.9%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
0.9%
Thin neck
The neck is too slim, appearing delicate and less proportionate to the face.
0.7%
Narrow forehead
The forehead is too slim relative to the face, reducing upper face balance.
0.3%
Overly wide nose bridge
The nose bridge is excessively wide.
0.1%
Lacking cupid's bow
The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
4.7%
Minor Proportional Variations
7 ratios showing minor proportional variations that contribute to overall harmony score.
