Nose Bridge to Nose Width1.8
Submental Cervical Angle1.7
Elsa Hosk
Facial Harmony Analysis
Overall
6.9
Top 7.2%·Great harmony
Front
6.5
Top 16%
Side
7.6
Top 1.4%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0
Ideal ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0
Ideal neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.9
Balanced jaw growth
This contributes to a pleasant jaw contour in both the front and side profiles.
9.9
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.9
Excellent jaw steepness
This contributes to a pleasant jaw contour due to the jaw being neither too steep nor too flat.
9.9
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
9.8
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.8
Well-projected chin
This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.
9.8
Proportionate lower face
This contributes to a proportionate facial structure; the lower face retains internal balance and harmony with the overall facial structure.
9.8
Excellent midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.8
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.7
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.6
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.6
Excellent mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.6
Excellent jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
9.6
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.5
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.4
Excellent nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
9.3
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.2
Balanced midface length
This contributes to a harmonious midface due to the midface not being overly elongated or shortened.
9.2
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.2
Good eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
9.2
Good interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
8.9
Good forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
9.5
Additional Strengths
2 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
5.2%
Overly upturned eyes
The outer corners of the eyes tilt upward excessively, creating an exaggerated look.
3.9%
Overly compact face shape
The entire face is too short and wide, reducing overall proportion.
3.9%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
3.1%
Wide-set eyes
The eyes are too far apart, creating a wide or stretched midface appearance.
1.9%
Overly full lower lip
The lower lip is excessively thick, creating disproportionate lip proportions.
1.7%
Overly round eye shape
The eyes appear excessively round.
1.6%
Overly protruded lower lip
The lower lip juts out excessively, unbalancing the lower face.
1.6%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
1.4%
Narrow forehead
The forehead is too slim relative to the face, reducing upper face balance.
1.3%
Overly wide nose bridge
The nose bridge is excessively wide.
1.2%
Overly upturned eyebrows
The eyebrows arch too high, creating an overly expressive or surprised look.
1.2%
Overly sharp and pointed nasal tip
The nose tip is excessively pointed, creating a harsh appearance.
0.2%
Lacking cupid's bow
The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
1.2%
Minor Proportional Variations
2 ratios showing minor proportional variations that contribute to overall harmony score.
