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Harmony
Loading Harmony
Harmony
Harmony


6.9
Great harmony
Top 6.7%This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.
10.0This contributes to a harmonious face shape due to the face being neither too short nor too long.
10.0This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0This contributes to a harmonious midface due to the midface having ideal forward projection.
10.0This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
10.0This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.9This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.9This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
9.9This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.8This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
9.8This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.7This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.7This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
9.7This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.6This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
9.312 ratios showing strong performance but not fitting into specific categorized strengths.
9.6The outer corners of the eyes tilt upward excessively, creating an exaggerated look.
3.0%The jaw angles sharply downward, creating a narrow or pointed chin effect.
2.5%The nose is too broad, creating an unbalanced facial appearance.
2.4%The mouth is too slim, reducing expressiveness and facial proportion.
2.4%The upper jaw is less forward than ideal, reducing midface projection and facial harmony.
2.2%The middle of the face is elongated, creating an unbalanced vertical proportion.
2.2%The eyes are too far apart, creating a wide or stretched midface appearance.
2.2%The neck lacks angularity, appearing soft and undefined in the profile view.
1.8%The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
1.5%The eyebrows arch too high, creating an overly expressive or surprised look.
1.4%The midface and jaw shapes do not align, reducing facial harmony.
1.2%The neck is excessively broad, often due to muscle bulk or fat, reducing definition.
1.0%The upper face is too tall, creating an unbalanced forehead proportion.
0.9%The jaw is too slim, creating a delicate or less robust lower face appearance.
0.8%The eyes appear excessively round.
0.8%The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
0.1%7 ratios showing minor proportional variations that contribute to overall harmony score.
4.5%