Loading Harmony
Harmony
Loading Harmony
Harmony
Harmony


5.5
Good harmony
Top 45%This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
10.0This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.
10.0This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
10.0This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0This contributes to a harmonious midface due to the midface having ideal forward projection.
9.9This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
9.8This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.8This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
9.7This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.6This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
9.6This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
9.5This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
9.5This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
9.3This contributes to a harmonious face shape due to the face being neither too short nor too long.
9.0This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
8.515 ratios showing strong performance but not fitting into specific categorized strengths.
9.8The chin extends too far forward, unbalancing the facial profile.
9.3%The upper jaw is less forward than ideal, reducing midface projection and facial harmony.
8.8%The middle of the face is elongated, creating an unbalanced vertical proportion.
7.1%The face appears flattened or slightly concave, often due to an overprojected chin or recessed maxilla. This can indicate malocclusion, such as an underbite.
5.3%The nose appears too soft and weak, creating an unbalanced nasal profile.
4.7%The jaw angles sharply downward, creating a narrow or pointed chin effect.
4.6%The jaw grows with a flatter angle, resulting in a short or overly wide lower face. This can indicate malocclusion, such as a deep bite or overbite.
4.1%The eyes are too far apart, creating a wide or stretched midface appearance.
3.4%The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
3.1%The vertical part of the jawbone is too long, elongating the lower face.
3.0%The upper jaw is excessively long, unbalancing the lower face proportions.
2.3%The lower jaw is too short, reducing lower face strength and balance.
2.3%The outer corners of the eyes tilt upward excessively, creating an exaggerated look.
1.9%The upper forehead slopes backward excessively.
1.3%The midface is too tall, elongating the central face.
0.5%The area around the eyes appears hollow, reducing vibrancy and youthfulness.
0.5%The nose bridge is excessively narrow.
0.3%7 ratios showing minor proportional variations that contribute to overall harmony score.
6.1%