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Harmony
Loading Harmony
Harmony
Harmony


8.2
Outstanding harmony
Top 0.2%Anna Maria Pierangeli's Harmony score is 8.2, 68th of 564 women on the wiki, in the top 13%. Harmony rates how closely the face's proportions, front and side, fall inside their ideal ranges. At the top of her breakdown are Bitemporal Width and Browridge Inclination Angle, both at 10.0; at the bottom, Gonial Angle at 3.6 and Submental Cervical Angle at 2.7. The closest Harmony scores on the wiki belong to Antje Traue (8.2), Lili Reinhart (8.2) and Meghan Roche (8.2). The highest on the wiki is Sharam Diniz, at 9.2.
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
10.0This contributes to a harmonious face shape due to the face being neither too short nor too long.
10.0This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
10.0This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
10.0This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
9.9This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.
9.9This contributes to a proportionate facial structure; the lower face retains internal balance and harmony with the overall facial structure.
9.9This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.9This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.8This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.8This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.8This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.8This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.8This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.
9.8This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
9.7This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.7This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
9.6This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.6This contributes to a harmonious midface due to the eyes being proportionate in size relative to facial width.
9.6This indicates optimal forward projection relative to nasal height and facial structure.
9.6This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.5This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.5This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.4This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
9.3This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
9.2This contributes to a harmonious midface due to the midface having ideal forward projection.
9.0This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
8.8This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
8.64 ratios showing strong performance but not fitting into specific categorized strengths.
10.0The jaw lacks curvature, appearing straight and less dynamic in shape.
4.4%The neck lacks angularity, appearing soft and undefined in the profile view.
3.4%The middle of the face is elongated, creating an unbalanced vertical proportion.
2.3%The midface and jaw shapes do not align, reducing facial harmony.
0.8%The eyes appear excessively round.
0.8%The nose bridge is excessively narrow.
0.5%4 ratios showing minor proportional variations that contribute to overall harmony score.
2.2%Anna Maria Pierangeli's Harmony score is 8.2 in FaceIQ Labs' analysis, which rates how closely the face's proportions, front and side, fall inside their ideal ranges.
By Harmony score, Anna Maria Pierangeli is ranked 68th of 564 women on the wiki, in the top 13%.