This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.

This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a harmonious lower face due to the neck having a sharp, angular contour.

This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.

This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.

This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.

This contributes to a harmonious face shape due to the face being neither too short nor too long.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.

This contributes to a pleasant jaw contour due to the jaw having ideal proportions.

This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.

This indicates optimal forward projection relative to nasal height and facial structure.

This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.

This contributes to a harmonious midface due to the nose having a balanced shape and projection.

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.

7 ratios showing strong performance but not fitting into specific categorized strengths.

The chin lacks forward projection, creating a weak lower face appearance.

The lower jaw is set back, creating a less prominent chin and an unbalanced profile.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The upper jaw is excessively long, unbalancing the lower face proportions.

The eyes are too small, creating a less balanced facial appearance.

The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The face appears overly rounded, often due to excessive forward projection of the upper, middle, or lower face. This can indicate malocclusion, such as an overbite or overjet.

The lower jaw is too short, reducing lower face strength and balance.

The outer corners of the eyes tilt upward excessively, creating an exaggerated look.

The nose is too broad, creating an unbalanced facial appearance.

The mouth is too slim, reducing expressiveness and facial proportion.

The eyes appear excessively round.

The eyes are positioned too close together, reducing midface balance.

The midface and jaw shapes do not align, reducing facial harmony.

The vertical jawbone is too short, leading to inadequate jaw height and definition.

The forehead is too flat, lacking natural curvature and prominence.

The area around the eyes appears hollow, reducing vibrancy and youthfulness.

The eyebrows lack adequate horizontal length.

The nose tip is excessively pointed, creating a harsh appearance.

The nose bridge is excessively narrow.

6 ratios showing minor proportional variations that contribute to overall harmony score.