This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.

This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.

This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a harmonious midface due to the central midface being neither too narrow or broad.

This contributes to a harmonious midface due to the midface having ideal forward projection.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.

This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.

This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

9 ratios showing strong performance but not fitting into specific categorized strengths.

The jaw angles sharply downward, creating a narrow or pointed chin effect.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The jaw grows with an overly steep angle, resulting in a long or narrow lower face. This can indicate malocclusion, such as an open bite or underbite.

The face is excessively tall and narrow, creating an elongated appearance.

The eyes are too far apart, creating a wide or stretched midface appearance.

The upper jaw is less forward than ideal, reducing midface projection and facial harmony.

The chin extends too far forward, unbalancing the facial profile.

The vertical part of the jawbone is too long, elongating the lower face.

The nose is too broad, creating an unbalanced facial appearance.

The mouth is too slim, reducing expressiveness and facial proportion.

The neck is too slim, appearing delicate and less proportionate to the face.

The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The lower lip is excessively thick, creating disproportionate lip proportions.

The lower lip juts out excessively, unbalancing the lower face.

The forehead slopes backward excessively, altering upper face proportions.

The cheekbones are moderately low, providing limited midface definition.

The eyes appear excessively round.

The midface is too tall, elongating the central face.

The mouth corners are downturned, creating a frowning or sad appearance.

The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.

8 ratios showing minor proportional variations that contribute to overall harmony score.