Total Facial Width to Height Ratio0.0
Upper Forehead Slope3.0
David Goggins
Facial Harmony Analysis
Overall
5.0
Top 50%·Average harmony
Front
3.4
Bottom 12%
Side
7.7
Top 0.9%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
10.0
Harmonious midface and jaw alignment
This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.
10.0
Ideal jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
10.0
Ideal interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Ideal jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
9.9
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
9.9
Excellent midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.9
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.9
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.8
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.8
Excellent jaw steepness
This contributes to a pleasant jaw contour due to the jaw being neither too steep nor too flat.
9.8
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
9.6
Excellent neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.5
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
9.5
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
9.2
Good eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
8.7
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
9.8
Additional Strengths
7 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
8.3%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
7.7%
Overly long face shape
The face is excessively tall and narrow, creating an elongated appearance.
4.2%
Wide nose
The nose is too broad, creating an unbalanced facial appearance.
3.5%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
3.5%
Rounder convex facial profile
The face appears overly rounded, often due to excessive forward projection of the upper, middle, or lower face. This can indicate malocclusion, such as an overbite or overjet.
3.5%
Underprojected chin
The chin lacks forward projection, creating a weak lower face appearance.
3.3%
Medium-set eyebrows
The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.
3.0%
Long top third
The upper face is too tall, creating an unbalanced forehead proportion.
2.8%
Narrow mouth
The mouth is too slim, reducing expressiveness and facial proportion.
2.3%
Weak/soft jaw structure
The jaw has a softer, rounder shape, often less angular and robust than the ideal.
2.3%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.3%
Short lower jaw
The lower jaw is too short, reducing lower face strength and balance.
2.3%
Short lower third
The lower face is too short, reducing chin and jaw prominence.
2.1%
Wide forehead
The forehead is excessively wide, creating a disproportionate upper face.
2.0%
Overly full upper lip
The upper lip is excessively thick, creating disproportionate lip proportions.
2.0%
Short nose
The nose is too short vertically, creating a less balanced midface.
2.0%
Short middle third
The midface is too short vertically, compressing the central face.
1.5%
Overly narrow nose bridge
The nose bridge is excessively narrow.
1.2%
Lacking eyebrow length
The eyebrows lack adequate horizontal length.
1.1%
Overly sloped upper forehead
The upper forehead slopes backward excessively.
0.1%
Lacking cupid's bow
The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
4.2%
Minor Proportional Variations
7 ratios showing minor proportional variations that contribute to overall harmony score.
