This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.

This contributes to a harmonious midface due to the nose having a balanced shape and projection.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.

This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a harmonious face shape due to the face being neither too short nor too long.

This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.

This contributes to a harmonious midface due to the midface not being overly elongated or shortened.

This contributes to a harmonious midface due to the central midface being neither too narrow or broad.

This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.

10 ratios showing strong performance but not fitting into specific categorized strengths.

The upper jaw is less forward than ideal, reducing midface projection and facial harmony.

The chin extends too far forward, unbalancing the facial profile.

The midface is underprojected.

The eyes are too small, creating a less balanced facial appearance.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The upper jaw is too short, creating an unbalanced lower face proportion.

The lower jaw is too long, creating a heavy or extended lower face.

The lower jaw is set back, creating a less prominent chin and an unbalanced profile.

The jaw grows with a flatter angle, resulting in a short or overly wide lower face. This can indicate malocclusion, such as a deep bite or overbite.

The face appears flattened or slightly concave, often due to an overprojected chin or recessed maxilla. This can indicate malocclusion, such as an underbite.

The outer corners of the eyes tilt downward, giving a droopy or sad look.

The jaw lacks curvature, appearing straight and less dynamic in shape.

The midface and jaw shapes do not align, reducing facial harmony.

The neck lacks angularity, appearing soft and undefined in the profile view.

The nose bridge is excessively narrow.

The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.

The upper lip is set too far back, creating a flat or thin appearance.

The area around the eyes appears hollow, reducing vibrancy and youthfulness.

The eyebrows lack adequate horizontal length.

The eyes appear excessively round.

The lower face is too tall, creating an elongated chin and jaw.

The forehead is excessively wide, creating a disproportionate upper face.

The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.

6 ratios showing minor proportional variations that contribute to overall harmony score.