Lower Third Proportion2.7
Facial Convexity (Nasion)3.3
Candice Swanepoel
Facial Harmony Analysis
Overall
7.7
Top 0.8%·Exceptional harmony
Front
7.5
Top 1.7%
Side
8.2
Top 0.2%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Ideal midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
10.0
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
10.0
Ideal eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
10.0
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
9.9
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.9
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
9.9
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
9.9
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.8
Excellent forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
9.8
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.8
Excellent nose bridge width
This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.
9.7
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.7
Excellent neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.7
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.7
Excellent jaw steepness
This contributes to a pleasant jaw contour due to the jaw being neither too steep nor too flat.
9.6
Well-projected chin
This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.
9.5
Excellent mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.5
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.4
Excellent jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
9.4
Excellent interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.3
Excellent nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
9.3
Balanced midface length
This contributes to a harmonious midface due to the midface not being overly elongated or shortened.
9.3
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.1
Harmonious midface and jaw alignment
This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.
8.8
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
8.7
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
8.7
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
9.7
Additional Strengths
3 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
3.9%
Insufficient eye tilt
The outer corners of the eyes tilt downward, giving a droopy or sad look.
2.3%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.3%
Short upper jaw
The upper jaw is too short, creating an unbalanced lower face proportion.
2.3%
Elongated lower jaw
The lower jaw is too long, creating a heavy or extended lower face.
2.1%
Overly long face shape
The face is excessively tall and narrow, creating an elongated appearance.
1.6%
Long top third
The upper face is too tall, creating an unbalanced forehead proportion.
1.4%
Overly round eye shape
The eyes appear excessively round.
1.0%
Moon facial profile
The face appears flattened or slightly concave, often due to an overprojected chin or recessed maxilla. This can indicate malocclusion, such as an underbite.
0.9%
Overly sloped forehead appearance
The forehead slopes backward excessively, altering upper face proportions.
0.3%
Lacking cupid's bow
The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
3.7%
Minor Proportional Variations
7 ratios showing minor proportional variations that contribute to overall harmony score.
