
Lower Third Proportion0.5

Lower Lip S-Line Position3.3
Chris Hemsworth
Facial Harmony Analysis
Overall
7.3
Top 2.8%·Excellent harmony
Front
6.8
Top 8.9%
Side
8.1
Top 0.3%
Ratio Breakdown
Side Profile
Strengths
10.0
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
10.0
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
10.0
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
10.0
Harmonious midface and jaw alignment
This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
10.0
Ideal nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
10.0
Ideal mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
10.0
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.9
Excellent interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.9
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.9
Excellent jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
9.8
Balanced midface length
This contributes to a harmonious midface due to the midface not being overly elongated or shortened.
9.7
Excellent neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.7
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.6
Excellent jaw steepness
This contributes to a pleasant jaw contour due to the jaw being neither too steep nor too flat.
9.6
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.6
Excellent ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
9.5
Well-projected chin
This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.
9.5
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.4
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.4
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
9.3
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
9.2
Good midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
8.7
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
9.7
Additional Strengths
2 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
5.1%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
5.1%
Short upper jaw
The upper jaw is too short, creating an unbalanced lower face proportion.
5.1%
Elongated lower jaw
The lower jaw is too long, creating a heavy or extended lower face.
3.5%
Close-set eyes
The eyes are positioned too close together, reducing midface balance.
2.3%
Protruded ears
The ears protrude excessively from the head, creating an unbalanced profile appearance.
2.2%
Overly harsh and prominent jaw
The jaw has a harsher, more robust, and prominent appearance than the ideal.
2.2%
Long lower third
The lower face is too tall, creating an elongated chin and jaw.
1.9%
Insufficient eye tilt
The outer corners of the eyes tilt downward, giving a droopy or sad look.
1.6%
Thin lower lip
The lower lip lacks fullness, appearing too slim relative to the upper lip.
1.2%
Overly retruded lower lip
The lower lip is too recessed, reducing fullness and profile balance.
0.8%
Overly flat forehead appearance
The forehead is too flat, lacking natural curvature and prominence.
0.8%
Lacking eyebrow length
The eyebrows lack adequate horizontal length.
0.7%
Overly round eye shape
The eyes appear excessively round.
0.4%
Overly wide nose bridge
The nose bridge is excessively wide.
0.2%
Lacking cupid's bow
The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
4.8%
Minor Proportional Variations
5 ratios showing minor proportional variations that contribute to overall harmony score.

















