Lower Third Proportion0.7
Submental Cervical Angle2.6
Cillian Murphy
Facial Harmony Analysis
Overall
7.3
Top 2.8%·Excellent harmony
Front
6.5
Top 16%
Side
8.6
Top 0.03%
Ratio Breakdown
Side Profile
Strengths
10.0
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
10.0
Ideal jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
10.0
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
10.0
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
10.0
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0
Ideal eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
10.0
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
10.0
Ideal eye size
This contributes to a harmonious midface due to the eyes being proportionate in size relative to facial width.
10.0
Ideal eye spacing
This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.
10.0
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.9
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.9
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
9.9
Well-projected chin
This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.
9.9
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.9
Excellent mandibular projection
This contributes to a pleasant jaw contour by indicating that the lower jaw is not recessed or overly projected.
9.9
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.8
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.7
Excellent interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.6
Excellent ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
9.6
Excellent jaw steepness
This contributes to a pleasant jaw contour due to the jaw being neither too steep nor too flat.
9.4
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
9.1
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
9.0
Good cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
8.8
Good eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
9.9
Additional Strengths
3 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
4.8%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
4.8%
Long upper jaw
The upper jaw is excessively long, unbalancing the lower face proportions.
3.5%
Overly compact face shape
The entire face is too short and wide, reducing overall proportion.
3.4%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
2.9%
Short lower jaw
The lower jaw is too short, reducing lower face strength and balance.
1.8%
Medium-set cheekbones
The cheekbones are moderately low, providing limited midface definition.
1.6%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
1.6%
Thin neck
The neck is too slim, appearing delicate and less proportionate to the face.
1.4%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
1.3%
Narrow mouth
The mouth is too slim, reducing expressiveness and facial proportion.
1.1%
Overly round eye shape
The eyes appear excessively round.
0.9%
Overly wide nose bridge
The nose bridge is excessively wide.
2.0%
Minor Proportional Variations
5 ratios showing minor proportional variations that contribute to overall harmony score.
