
Lower Third Proportion2.2

Submental Cervical Angle1.5
Adriana Lima
Facial Harmony Analysis
Overall
7.8
Top 0.7%·Exceptional harmony
Front
8.1
Top 0.3%
Side
7.3
Top 2.8%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
10.0
Ideal nose bridge width
This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.
10.0
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
10.0
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
10.0
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
10.0
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.9
Excellent mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.9
Excellent midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.9
Excellent eye spacing
This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.
9.9
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.8
Excellent jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
9.8
Excellent jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
9.7
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.7
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.6
Balanced midface length
This contributes to a harmonious midface due to the midface not being overly elongated or shortened.
9.6
Excellent ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
9.5
Excellent eye size
This contributes to a harmonious midface due to the eyes being proportionate in size relative to facial width.
9.5
Excellent neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.4
Excellent forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
9.3
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
9.3
Good interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.2
Good eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
9.0
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
8.8
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
9.9
Additional Strengths
5 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
4.7%
Overly upturned eyes
The outer corners of the eyes tilt upward excessively, creating an exaggerated look.
3.9%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
2.4%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.4%
Short upper jaw
The upper jaw is too short, creating an unbalanced lower face proportion.
2.4%
Elongated lower jaw
The lower jaw is too long, creating a heavy or extended lower face.
2.0%
Long top third
The upper face is too tall, creating an unbalanced forehead proportion.
1.5%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
1.1%
Rounder convex facial profile
The face appears overly rounded, often due to excessive forward projection of the upper, middle, or lower face. This can indicate malocclusion, such as an overbite or overjet.
0.5%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
0.3%
Lacking cupid's bow
The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
3.8%
Minor Proportional Variations
5 ratios showing minor proportional variations that contribute to overall harmony score.














