Deviation of IAA(Ipsilateral alar angle) & JFA(Jaw frontal angle)1.1
Upper Lip S-Line Position1.2
Alessandra Ambrosio
Facial Harmony Analysis
Overall
6.3
Top 19%·Very good harmony
Front
6.0
Top 28%
Side
6.8
Top 7.7%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0
Ideal midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
10.0
Ideal nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
9.9
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.9
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.9
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.8
Excellent jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
9.7
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.7
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
9.7
Well-projected chin
This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.
9.6
Excellent cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
9.5
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
9.4
Excellent eye spacing
This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.
9.3
Excellent mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
8.9
Good neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.4
Additional Strengths
9 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
4.5%
Overly long face shape
The face is excessively tall and narrow, creating an elongated appearance.
3.5%
Overprojected nose
The nose protrudes excessively, dominating the facial profile.
2.8%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
2.5%
Overly upturned eyes
The outer corners of the eyes tilt upward excessively, creating an exaggerated look.
2.4%
Long top third
The upper face is too tall, creating an unbalanced forehead proportion.
2.3%
Overly prominent brow ridge
The brow ridge is overly prominent, creating a heavier and more robust appearance than the ideal.
1.8%
Overly retruded upper lip
The upper lip is set too far back, creating a flat or thin appearance.
1.8%
Thin upper lip
The upper lip lacks fullness, appearing too slim relative to the lower lip.
1.7%
Overly retruded lower lip
The lower lip is too recessed, reducing fullness and profile balance.
1.7%
Thin lower lip
The lower lip lacks fullness, appearing too slim relative to the upper lip.
1.5%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
1.1%
Overly wide nose bridge
The nose bridge is excessively wide.
1.1%
Short middle third
The midface is too short vertically, compressing the central face.
1.0%
Overly upturned eyebrows
The eyebrows arch too high, creating an overly expressive or surprised look.
0.8%
Overly round eye shape
The eyes appear excessively round.
0.7%
Protruded ears
The ears protrude excessively from the head, creating an unbalanced profile appearance.
0.5%
Overly long eyebrows
The eyebrows display excessive horizontal length.
4.3%
Minor Proportional Variations
6 ratios showing minor proportional variations that contribute to overall harmony score.
