One Eye Apart Test2.4
Upper Lip S-Line Position3.0
Amanda Seyfried
Facial Harmony Analysis
Overall
7.5
Top 1.7%·Excellent harmony
Front
7.3
Top 3%
Side
7.9
Top 0.5%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0
Ideal ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
10.0
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0
Ideal mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
10.0
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
10.0
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.8
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
9.8
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.8
Excellent forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
9.7
Excellent mandibular projection
This contributes to a pleasant jaw contour by indicating that the lower jaw is not recessed or overly projected.
9.7
Well-projected chin
This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.
9.7
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
9.7
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.7
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.6
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.6
Excellent nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
9.6
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.5
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
9.4
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
9.4
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.3
Excellent eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
9.3
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
9.1
Good neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
8.7
Good eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
10.0
Additional Strengths
2 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
4.9%
Wide-set eyes
The eyes are too far apart, creating a wide or stretched midface appearance.
3.5%
Short upper jaw
The upper jaw is too short, creating an unbalanced lower face proportion.
2.9%
Overly small eyes
The eyes are too small, creating a less balanced facial appearance.
2.2%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.1%
Underprojected midface
The midface is underprojected.
1.7%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
1.7%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
1.1%
Overly narrow nose bridge
The nose bridge is excessively narrow.
0.7%
Sunken orbital region
The area around the eyes appears hollow, reducing vibrancy and youthfulness.
0.2%
Lacking cupid's bow
The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
3.9%
Minor Proportional Variations
6 ratios showing minor proportional variations that contribute to overall harmony score.
