
Lower Third Proportion2.4

Submental Cervical Angle1.8
Broderick Hunter
Facial Harmony Analysis
Overall
7.8
Top 0.6%·Exceptional harmony
Front
7.9
Top 0.5%
Side
7.7
Top 1.1%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0
Ideal cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
10.0
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0
Ideal eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
10.0
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.9
Excellent upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
9.9
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.9
Balanced midface length
This contributes to a harmonious midface due to the midface not being overly elongated or shortened.
9.9
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
9.9
Excellent midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.9
Excellent jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
9.8
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
9.8
Excellent interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.8
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
9.7
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.7
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.7
Excellent nose bridge width
This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.
9.7
Excellent eye size
This contributes to a harmonious midface due to the eyes being proportionate in size relative to facial width.
9.6
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.6
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
9.5
Excellent eye spacing
This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.
9.5
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.3
Good jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
9.2
Good neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.9
Additional Strengths
6 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
3.8%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
2.4%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.4%
Long upper jaw
The upper jaw is excessively long, unbalancing the lower face proportions.
2.4%
Short lower jaw
The lower jaw is too short, reducing lower face strength and balance.
2.1%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
1.8%
Insufficient eye tilt
The outer corners of the eyes tilt downward, giving a droopy or sad look.
1.8%
Steep jaw
The jaw angles sharply downward, creating a narrow or pointed chin effect.
1.6%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
1.1%
Rounder convex facial profile
The face appears overly rounded, often due to excessive forward projection of the upper, middle, or lower face. This can indicate malocclusion, such as an overbite or overjet.
0.3%
Overly sharp and pointed nasal tip
The nose tip is excessively pointed, creating a harsh appearance.
4.5%
Minor Proportional Variations
8 ratios showing minor proportional variations that contribute to overall harmony score.
















