Lower Third Proportion1.5
Submental Cervical Angle1.5
Byron Woo Seok (Actor)
Facial Harmony Analysis
Overall
6.4
Top 18%·Very good harmony
Front
6.6
Top 13%
Side
6.1
Top 25%
Ratio Breakdown
Side Profile
Strengths
10.0
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
10.0
Ideal nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
10.0
Ideal interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Ideal maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
10.0
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
10.0
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
10.0
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.8
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
9.8
Excellent mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.8
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.7
Balanced midface length
This contributes to a harmonious midface due to the midface not being overly elongated or shortened.
9.7
Excellent jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
9.7
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
9.7
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.6
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.6
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.6
Excellent eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
9.4
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
9.3
Excellent ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
9.3
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
8.9
Good jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
8.7
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
8.6
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
9.5
Additional Strengths
5 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
5.0%
Close-set eyes
The eyes are positioned too close together, reducing midface balance.
3.9%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
3.8%
Steep jaw
The jaw angles sharply downward, creating a narrow or pointed chin effect.
2.6%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.6%
Long upper jaw
The upper jaw is excessively long, unbalancing the lower face proportions.
2.6%
Short lower jaw
The lower jaw is too short, reducing lower face strength and balance.
1.4%
Overly compact face shape
The entire face is too short and wide, reducing overall proportion.
1.3%
Overly round eye shape
The eyes appear excessively round.
1.2%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
1.1%
Overly sloped upper forehead
The upper forehead slopes backward excessively.
0.8%
Thin neck
The neck is too slim, appearing delicate and less proportionate to the face.
0.7%
Overly narrow nose bridge
The nose bridge is excessively narrow.
0.6%
Overly sharp and pointed nasal tip
The nose tip is excessively pointed, creating a harsh appearance.
0.6%
Lacking eyebrow length
The eyebrows lack adequate horizontal length.
0.2%
Lacking cupid's bow
The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
6.8%
Minor Proportional Variations
10 ratios showing minor proportional variations that contribute to overall harmony score.
