Nose Bridge to Nose Width0.8
Upper Lip S-Line Position3.4
Chris Carmack
Facial Harmony Analysis
Overall
7.4
Top 2.2%·Excellent harmony
Front
7.9
Top 0.6%
Side
6.6
Top 13%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0
Ideal ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0
Ideal nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
10.0
Ideal mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
10.0
Ideal cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Ideal eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
10.0
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0
Ideal neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
9.9
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.9
Excellent jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
9.8
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.8
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
9.8
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
9.5
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.4
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
9.4
Excellent midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.4
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.4
Balanced midface length
This contributes to a harmonious midface due to the midface not being overly elongated or shortened.
9.4
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.3
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.3
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.3
Good interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.2
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
9.0
Good forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
9.7
Additional Strengths
7 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
4.2%
Overly compact face shape
The entire face is too short and wide, reducing overall proportion.
3.9%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
3.9%
Rounder convex facial profile
The face appears overly rounded, often due to excessive forward projection of the upper, middle, or lower face. This can indicate malocclusion, such as an overbite or overjet.
3.9%
Underprojected chin
The chin lacks forward projection, creating a weak lower face appearance.
2.0%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
1.7%
Protruded ears
The ears protrude excessively from the head, creating an unbalanced profile appearance.
1.6%
Thin upper lip
The upper lip lacks fullness, appearing too slim relative to the lower lip.
1.5%
Overly retruded upper lip
The upper lip is set too far back, creating a flat or thin appearance.
1.4%
Overly narrow nose bridge
The nose bridge is excessively narrow.
0.6%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
0.4%
Lacking eyebrow length
The eyebrows lack adequate horizontal length.
5.8%
Minor Proportional Variations
6 ratios showing minor proportional variations that contribute to overall harmony score.
