Lower Third Proportion2.3
Nose Tip Rotation Angle0.8
Dylan O'Brien
Facial Harmony Analysis
Overall
6.7
Top 11%·Great harmony
Front
7.1
Top 4.7%
Side
6.0
Top 29%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0
Ideal ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0
Ideal cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
10.0
Ideal nose bridge width
This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.
9.9
Excellent eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
9.9
Excellent interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.9
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
9.9
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
9.9
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.9
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.8
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.8
Excellent jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
9.6
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.6
Excellent eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
9.6
Balanced midface length
This contributes to a harmonious midface due to the midface not being overly elongated or shortened.
9.6
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.5
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.4
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
9.3
Excellent mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.2
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.1
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
8.8
Good neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.3
Additional Strengths
5 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
3.6%
Overly upturned nose
The nose is overly upturned, creating an unbalanced nasal profile.
3.2%
Overprojected nose
The nose protrudes excessively, dominating the facial profile.
3.2%
Underprojected chin
The chin lacks forward projection, creating a weak lower face appearance.
2.8%
Close-set eyes
The eyes are positioned too close together, reducing midface balance.
2.4%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.4%
Long upper jaw
The upper jaw is excessively long, unbalancing the lower face proportions.
2.4%
Short lower jaw
The lower jaw is too short, reducing lower face strength and balance.
2.0%
Overly round eye shape
The eyes appear excessively round.
1.9%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
1.9%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
1.7%
Long top third
The upper face is too tall, creating an unbalanced forehead proportion.
1.5%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
1.4%
Overly sloped upper forehead
The upper forehead slopes backward excessively.
0.8%
Narrow forehead
The forehead is too slim relative to the face, reducing upper face balance.
0.3%
Overly sharp and pointed nasal tip
The nose tip is excessively pointed, creating a harsh appearance.
4.1%
Minor Proportional Variations
5 ratios showing minor proportional variations that contribute to overall harmony score.
