Harry Goodwins front
Bitemporal Width1.0
Harry Goodwins side
Nasofrontal Angle4.0

Harry Goodwins

Facial Harmony Analysis

Overall
7.7
Top 0.9%·Exceptional harmony
Front
7.4
Top 2.1%
Side
8.2
Top 0.2%

Ratio Breakdown

Side Profile

Strengths

10.0
Ideal ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
10.0
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
10.0
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
10.0
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.9
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
9.9
Excellent cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
9.9
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
9.9
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.8
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.8
Balanced midface length
This contributes to a harmonious midface due to the midface not being overly elongated or shortened.
9.8
Excellent eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
9.8
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
9.8
Excellent interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.7
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.7
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
9.6
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.6
Excellent jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
9.6
Proportionate lower face
This contributes to a proportionate facial structure; the lower face retains internal balance and harmony with the overall facial structure.
9.5
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.4
Excellent midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.1
Good nose bridge width
This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.
8.7
Good jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
9.8
Additional Strengths
6 ratios showing strong performance but not fitting into specific categorized strengths.

Areas for Improvement

3.5%
Maxillary recession
The upper jaw is less forward than ideal, reducing midface projection and facial harmony.
2.8%
Soft and weak brow ridge
The forehead has a softer, less prominent ridge than the ideal.
2.3%
Steep jaw
The jaw angles sharply downward, creating a narrow or pointed chin effect.
2.1%
Narrow forehead
The forehead is too slim relative to the face, reducing upper face balance.
2.0%
Narrow mouth
The mouth is too slim, reducing expressiveness and facial proportion.
1.5%
Protruded ears
The ears protrude excessively from the head, creating an unbalanced profile appearance.
1.5%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
1.3%
Overly wide neck
The neck is excessively broad, often due to muscle bulk or fat, reducing definition.
0.6%
Lacking eyebrow length
The eyebrows lack adequate horizontal length.
2.6%
Minor Proportional Variations
4 ratios showing minor proportional variations that contribute to overall harmony score.