Harry Goodwins

This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.

This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.

This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.

This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.

This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.

This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a harmonious lower face due to the neck having a sharp, angular contour.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

This contributes to a harmonious face shape due to the face being neither too short nor too long.

This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a harmonious midface due to the midface not being overly elongated or shortened.

This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.

This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.

This contributes to a harmonious midface due to the central midface being neither too narrow or broad.

This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.

This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.

This contributes to a proportionate facial structure; the lower face retains internal balance and harmony with the overall facial structure.

This contributes to a pleasant jaw contour due to the jaw having ideal proportions.

This contributes to a harmonious midface due to the midface having ideal forward projection.

This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.

This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

6 ratios showing strong performance but not fitting into specific categorized strengths.

The upper jaw is less forward than ideal, reducing midface projection and facial harmony.

The forehead has a softer, less prominent ridge than the ideal.

The jaw angles sharply downward, creating a narrow or pointed chin effect.

The forehead is too slim relative to the face, reducing upper face balance.

The mouth is too slim, reducing expressiveness and facial proportion.

The ears protrude excessively from the head, creating an unbalanced profile appearance.

The midface and jaw shapes do not align, reducing facial harmony.

The neck is excessively broad, often due to muscle bulk or fat, reducing definition.

The eyebrows lack adequate horizontal length.

4 ratios showing minor proportional variations that contribute to overall harmony score.