
Nose Bridge to Nose Width1.4

Facial Depth to Height Ratio2.6
Haruma Miura
Facial Harmony Analysis
Overall
7.0
Top 5.3%·Great harmony
Front
6.7
Top 11%
Side
7.6
Top 1.3%
Ratio Breakdown
Side Profile
Strengths
10.0
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
10.0
Proportionate lower face
This contributes to a proportionate facial structure; the lower face retains internal balance and harmony with the overall facial structure.
10.0
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
10.0
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
10.0
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
10.0
Ideal jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
10.0
Ideal interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0
Ideal eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
10.0
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.9
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.9
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.9
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
9.8
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.8
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.8
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.7
Excellent nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
9.7
Excellent eye size
This contributes to a harmonious midface due to the eyes being proportionate in size relative to facial width.
9.7
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.6
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.6
Excellent mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.5
Excellent eye spacing
This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.
9.1
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
8.5
Good jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
8.5
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.9
Additional Strengths
3 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
5.7%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
2.7%
Protruded ears
The ears protrude excessively from the head, creating an unbalanced profile appearance.
2.5%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
2.5%
Underprojected chin
The chin lacks forward projection, creating a weak lower face appearance.
2.3%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
1.9%
Underprojected midface
The midface is underprojected.
1.7%
Maxillary recession
The upper jaw is less forward than ideal, reducing midface projection and facial harmony.
1.4%
Medium-set cheekbones
The cheekbones are moderately low, providing limited midface definition.
1.3%
Overly narrow nose bridge
The nose bridge is excessively narrow.
0.9%
Overly round eye shape
The eyes appear excessively round.
0.8%
Thin neck
The neck is too slim, appearing delicate and less proportionate to the face.
0.6%
Overly upturned eyebrows
The eyebrows arch too high, creating an overly expressive or surprised look.
0.5%
Narrow forehead
The forehead is too slim relative to the face, reducing upper face balance.
0.5%
Lacking eyebrow length
The eyebrows lack adequate horizontal length.
0.2%
Lacking cupid's bow
The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
3.5%
Minor Proportional Variations
4 ratios showing minor proportional variations that contribute to overall harmony score.
















