Chin to philtrum ratio0.5
Lower Lip S-Line Position1.4
King Henry
Facial Harmony Analysis
Overall
6.9
Top 7.4%·Great harmony
Front
7.8
Top 0.8%
Side
5.4
Top 46%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
10.0
Ideal jaw steepness
This contributes to a pleasant jaw contour due to the jaw being neither too steep nor too flat.
10.0
Ideal nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
10.0
Ideal mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
10.0
Harmonious midface and jaw alignment
This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0
Ideal eye spacing
This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.
10.0
Ideal eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
10.0
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.9
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.9
Excellent eye size
This contributes to a harmonious midface due to the eyes being proportionate in size relative to facial width.
9.8
Excellent neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.8
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.8
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
9.8
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
9.7
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
9.6
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
9.6
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
9.4
Excellent ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
9.4
Excellent forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
9.1
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
9.1
Good eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
8.9
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
8.8
Good cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
9.8
Additional Strengths
4 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
6.2%
Short upper jaw
The upper jaw is too short, creating an unbalanced lower face proportion.
5.5%
Underprojected chin
The chin lacks forward projection, creating a weak lower face appearance.
5.0%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
3.7%
Overly harsh and prominent jaw
The jaw has a harsher, more robust, and prominent appearance than the ideal.
3.7%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
3.7%
Elongated lower jaw
The lower jaw is too long, creating a heavy or extended lower face.
2.7%
Protruded ears
The ears protrude excessively from the head, creating an unbalanced profile appearance.
2.5%
Overly compact midface
The middle of the face is too short, appearing compressed or wide.
2.5%
Short nose
The nose is too short vertically, creating a less balanced midface.
2.5%
Overly broad interior midface
The central midface is too wide, often due to wide-set eyes or a short nose.
2.4%
Overly full upper lip
The upper lip is excessively thick, creating disproportionate lip proportions.
2.1%
Overly full lower lip
The lower lip is excessively thick, creating disproportionate lip proportions.
2.0%
Underprojected midface
The midface is underprojected.
1.9%
Overly protruded lower lip
The lower lip juts out excessively, unbalancing the lower face.
1.7%
Rounder convex facial profile
The face appears overly rounded, often due to excessive forward projection of the upper, middle, or lower face. This can indicate malocclusion, such as an overbite or overjet.
1.7%
Overly protruded upper lip
The upper lip extends too far forward, disrupting facial harmony.
1.4%
Overly round eye shape
The eyes appear excessively round.
0.6%
Overly narrow nose bridge
The nose bridge is excessively narrow.
0.4%
Overly rounded and undefined nasal tip
The nose tip is too round, lacking sharpness and definition.
0.4%
Downturned mouth
The mouth corners are downturned, creating a frowning or sad appearance.
0.3%
Overly flat forehead appearance
The forehead is too flat, lacking natural curvature and prominence.
3.9%
Minor Proportional Variations
4 ratios showing minor proportional variations that contribute to overall harmony score.
