
Bigonial width6.2

Submental Cervical Angle0.1
Marc Schulze
Facial Harmony Analysis
Overall
7.8
Top 0.7%·Exceptional harmony
Front
8.9
Top 0.009%
Side
6.1
Top 26%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
10.0
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
10.0
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
10.0
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
10.0
Ideal eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
10.0
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0
Ideal eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
10.0
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
10.0
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0
Ideal mandibular projection
This contributes to a pleasant jaw contour by indicating that the lower jaw is not recessed or overly projected.
10.0
Well-projected chin
This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.
10.0
Ideal maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
10.0
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
10.0
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
10.0
Ideal neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.9
Proportionate lower face
This contributes to a proportionate facial structure; the lower face retains internal balance and harmony with the overall facial structure.
9.9
Excellent interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.9
Excellent jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
9.9
Balanced jaw growth
This contributes to a pleasant jaw contour in both the front and side profiles.
9.9
Harmonious midface and jaw alignment
This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.
9.8
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
9.8
Balanced midface length
This contributes to a harmonious midface due to the midface not being overly elongated or shortened.
9.8
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.8
Excellent ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
9.7
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.6
Excellent nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
9.6
Excellent midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.5
Excellent mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.4
Excellent forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
9.3
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
9.2
Good nose bridge width
This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.
9.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
9.6
Additional Strengths
4 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
4.6%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
2.0%
Overly upturned nose
The nose is overly upturned, creating an unbalanced nasal profile.
1.9%
Overprojected nose
The nose protrudes excessively, dominating the facial profile.
1.8%
Narrow jaw
The jaw is too slim, creating a delicate or less robust lower face appearance.
1.0%
Overly sloped forehead appearance
The forehead slopes backward excessively, altering upper face proportions.
0.3%
Overly sloped upper forehead
The upper forehead slopes backward excessively.
0.2%
Downturned mouth
The mouth corners are downturned, creating a frowning or sad appearance.
6.2%
Minor Proportional Variations
6 ratios showing minor proportional variations that contribute to overall harmony score.














