Lower Third Proportion0.0
Upper Lip Burstone Line1.1
Micheal Jackson
Facial Harmony Analysis
Overall
5.7
Top 42%·Good harmony
Front
5.0
Top 50%
Side
6.7
Top 10%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
10.0
Harmonious midface and jaw alignment
This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Ideal eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
9.9
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
9.9
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.8
Excellent jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
9.8
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
9.8
Excellent jaw steepness
This contributes to a pleasant jaw contour due to the jaw being neither too steep nor too flat.
9.8
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.8
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
9.7
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.6
Excellent midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.6
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
9.6
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.5
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.4
Excellent ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
9.4
Excellent neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.3
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.3
Excellent nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
8.7
Good eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
8.6
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.5
Additional Strengths
4 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
9.1%
Wide-set eyes
The eyes are too far apart, creating a wide or stretched midface appearance.
5.9%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
5.9%
Long upper jaw
The upper jaw is excessively long, unbalancing the lower face proportions.
5.9%
Short lower jaw
The lower jaw is too short, reducing lower face strength and balance.
4.0%
Overly full upper lip
The upper lip is excessively thick, creating disproportionate lip proportions.
3.2%
Overly protruded upper lip
The upper lip extends too far forward, disrupting facial harmony.
3.2%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
2.9%
Weak/soft jaw structure
The jaw has a softer, rounder shape, often less angular and robust than the ideal.
2.8%
Overly round eye shape
The eyes appear excessively round.
1.9%
Overprojected nose
The nose protrudes excessively, dominating the facial profile.
1.9%
Overly full lower lip
The lower lip is excessively thick, creating disproportionate lip proportions.
1.6%
Overly protruded lower lip
The lower lip juts out excessively, unbalancing the lower face.
1.4%
Overly narrow nose bridge
The nose bridge is excessively narrow.
1.3%
Overly upturned eyebrows
The eyebrows arch too high, creating an overly expressive or surprised look.
1.2%
Overly flat forehead appearance
The forehead is too flat, lacking natural curvature and prominence.
6.1%
Minor Proportional Variations
6 ratios showing minor proportional variations that contribute to overall harmony score.
