Face Width to Height Ratio0.5
Recession relative to frankfort plane0.7
Nikocado Avocado
Facial Harmony Analysis
Overall
4.7
Bottom 47%·Average harmony
Front
4.5
Bottom 45%
Side
5.1
Top 49%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0
Ideal nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
10.0
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
10.0
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
10.0
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0
Ideal cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
9.9
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
9.9
Excellent mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.9
Excellent forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
9.8
Excellent midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.8
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.7
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
9.6
Excellent interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.5
Harmonious midface and jaw alignment
This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.
9.5
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
9.4
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
9.4
Excellent eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
9.2
Good eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
9.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
9.7
Additional Strengths
7 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
12.2%
Underprojected chin
The chin lacks forward projection, creating a weak lower face appearance.
10.9%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
8.7%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
8.3%
Weak/soft jaw structure
The jaw has a softer, rounder shape, often less angular and robust than the ideal.
6.5%
Wide-set eyes
The eyes are too far apart, creating a wide or stretched midface appearance.
4.7%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
4.7%
Long upper jaw
The upper jaw is excessively long, unbalancing the lower face proportions.
4.6%
Hyper-divergent jaw growth
The jaw grows with an overly steep angle, resulting in a long or narrow lower face. This can indicate malocclusion, such as an open bite or underbite.
4.1%
Rounder convex facial profile
The face appears overly rounded, often due to excessive forward projection of the upper, middle, or lower face. This can indicate malocclusion, such as an overbite or overjet.
3.0%
Narrow jaw
The jaw is too slim, creating a delicate or less robust lower face appearance.
3.0%
Low-set cheekbones
The cheekbones are positioned too low, reducing midface prominence and youthfulness.
2.1%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
1.6%
Overly protruded lower lip
The lower lip juts out excessively, unbalancing the lower face.
1.6%
Overly full lower lip
The lower lip is excessively thick, creating disproportionate lip proportions.
1.2%
Thin neck
The neck is too slim, appearing delicate and less proportionate to the face.
1.0%
Long middle third
The midface is too tall, elongating the central face.
0.3%
Overly wide nose bridge
The nose bridge is excessively wide.
1.7%
Minor Proportional Variations
3 ratios showing minor proportional variations that contribute to overall harmony score.
