This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.

This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.

This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.

This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.

This contributes to a pleasant jaw contour due to the jaw having ideal proportions.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.

6 ratios showing strong performance but not fitting into specific categorized strengths.

The jaw lacks curvature, appearing straight and less dynamic in shape.

The jaw grows with a flatter angle, resulting in a short or overly wide lower face. This can indicate malocclusion, such as a deep bite or overbite.

The chin extends too far forward, unbalancing the facial profile.

The lower lip lacks fullness, appearing too slim relative to the upper lip.

The neck lacks angularity, appearing soft and undefined in the profile view.

The midface and jaw shapes do not align, reducing facial harmony.

The outer corners of the eyes tilt downward, giving a droopy or sad look.

The upper jaw is less forward than ideal, reducing midface projection and facial harmony.

The upper jaw is too short, creating an unbalanced lower face proportion.

The jaw has a harsher, more robust, and prominent appearance than the ideal.

The lower lip is too recessed, reducing fullness and profile balance.

The ears protrude excessively from the head, creating an unbalanced profile appearance.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The upper lip is set too far back, creating a flat or thin appearance.

The upper lip lacks fullness, appearing too slim relative to the lower lip.

The midface is underprojected.

The entire face is too short and wide, reducing overall proportion.

The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.

The face appears flattened or slightly concave, often due to an overprojected chin or recessed maxilla. This can indicate malocclusion, such as an underbite.

The nose bridge is excessively narrow.

The upper forehead slopes backward excessively.

The eyebrows lack arch or tilt, appearing straight and less dynamic.

The forehead is too slim relative to the face, reducing upper face balance.

The eyebrows lack adequate horizontal length.

The mouth corners are downturned, creating a frowning or sad appearance.

The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.

4 ratios showing minor proportional variations that contribute to overall harmony score.