Simon Nessman front
Chin to philtrum ratio3.0
Simon Nessman side
Nasal Tip Angle3.0

Simon Nessman

Facial Harmony Analysis

Overall
7.8
Top 0.6%·Exceptional harmony
Front
8.2
Top 0.2%
Side
7.3
Top 2.8%

Ratio Breakdown

Side Profile

Strengths

10.0
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
10.0
Ideal ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0
Ideal cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
10.0
Ideal interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0
Ideal eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
10.0
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
10.0
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
10.0
Well-projected chin
This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.
9.9
Balanced midface length
This contributes to a harmonious midface due to the midface not being overly elongated or shortened.
9.9
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.9
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.9
Excellent midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.9
Harmonious face shape
This contributes to a harmonious face shape due to the face being neither too short nor too long.
9.7
Excellent nose bridge width
This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.
9.7
Excellent nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
9.7
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.7
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.6
Excellent eye size
This contributes to a harmonious midface due to the eyes being proportionate in size relative to facial width.
9.6
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.6
Excellent mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.6
Excellent forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
9.6
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.5
Excellent neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.5
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
9.5
Excellent eye spacing
This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.
9.4
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
8.9
Good jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
9.9
Additional Strengths
2 ratios showing strong performance but not fitting into specific categorized strengths.

Areas for Improvement

4.6%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
4.6%
Short upper jaw
The upper jaw is too short, creating an unbalanced lower face proportion.
3.2%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
2.8%
Insufficient eye tilt
The outer corners of the eyes tilt downward, giving a droopy or sad look.
2.7%
Overly harsh and prominent jaw
The jaw has a harsher, more robust, and prominent appearance than the ideal.
2.7%
Elongated lower jaw
The lower jaw is too long, creating a heavy or extended lower face.
1.1%
Overly sharp and pointed nasal tip
The nose tip is excessively pointed, creating a harsh appearance.
0.8%
Overly sloped upper forehead
The upper forehead slopes backward excessively.
0.7%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
4.6%
Minor Proportional Variations
8 ratios showing minor proportional variations that contribute to overall harmony score.