This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.

This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.

This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.

This contributes to a harmonious midface due to the central midface being neither too narrow or broad.

This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.

This contributes to a harmonious midface due to the midface having ideal forward projection.

This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.

This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.

This contributes to a harmonious lower face due to the neck having a sharp, angular contour.

This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.

This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.

This contributes to a harmonious midface due to the nose having a balanced shape and projection.

This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.

This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a harmonious midface due to the midface not being overly elongated or shortened.

This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.

8 ratios showing strong performance but not fitting into specific categorized strengths.

The neck is too slim, appearing delicate and less proportionate to the face.

The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The lower jaw is too short, reducing lower face strength and balance.

The upper jaw is excessively long, unbalancing the lower face proportions.

The upper face is too tall, creating an unbalanced forehead proportion.

The eyes are positioned too close together, reducing midface balance.

The entire face is too short and wide, reducing overall proportion.

The outer corners of the eyes tilt upward excessively, creating an exaggerated look.

The lower face is too short, reducing chin and jaw prominence.

The nose bridge is excessively narrow.

The forehead slopes backward excessively, altering upper face proportions.

8 ratios showing minor proportional variations that contribute to overall harmony score.