This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.

This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.

This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.

This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.

This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.

This indicates optimal forward projection relative to nasal height and facial structure.

This contributes to a harmonious midface due to the nose having a balanced shape and projection.

This contributes to a pleasant jaw contour due to the jaw having ideal proportions.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.

This contributes to a harmonious midface due to the central midface being neither too narrow or broad.

This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.

This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.

This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

5 ratios showing strong performance but not fitting into specific categorized strengths.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The neck lacks angularity, appearing soft and undefined in the profile view.

The eyes are positioned too close together, reducing midface balance.

The lower jaw is set back, creating a less prominent chin and an unbalanced profile.

The face appears overly rounded, often due to excessive forward projection of the upper, middle, or lower face. This can indicate malocclusion, such as an overbite or overjet.

The forehead has a softer, less prominent ridge than the ideal.

The midface and jaw shapes do not align, reducing facial harmony.

The ears protrude excessively from the head, creating an unbalanced profile appearance.

The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The entire face is too short and wide, reducing overall proportion.

The forehead slopes backward excessively, altering upper face proportions.

The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.

The cheekbones are moderately low, providing limited midface definition.

The nose bridge is excessively narrow.

The lower face is too short, reducing chin and jaw prominence.

The eyes appear excessively round.

The upper forehead slopes backward excessively.

The eyebrows lack adequate horizontal length.

5 ratios showing minor proportional variations that contribute to overall harmony score.