Bitemporal Width1.0
Upper Lip S-Line Position1.5
Zac Efron
Facial Harmony Analysis
Overall
4.9
Bottom 49%·Average harmony
Front
3.8
Bottom 23%
Side
6.6
Top 13%
Ratio Breakdown
Side Profile
Strengths
10.0
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
10.0
Ideal ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Ideal midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
10.0
Ideal mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.9
Excellent nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
9.9
Balanced midface length
This contributes to a harmonious midface due to the midface not being overly elongated or shortened.
9.9
Balanced nose length
This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.9
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
9.9
Excellent neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
9.9
Excellent interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.8
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.8
Excellent forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
9.6
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.5
Excellent eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
9.4
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
9.4
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
9.1
Good upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
9.1
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.0
Good jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
9.0
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
8.5
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
9.8
Additional Strengths
4 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
9.2%
Close-set eyes
The eyes are positioned too close together, reducing midface balance.
6.5%
Overly compact face shape
The entire face is too short and wide, reducing overall proportion.
3.8%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
3.7%
Hyper-divergent jaw growth
The jaw grows with an overly steep angle, resulting in a long or narrow lower face. This can indicate malocclusion, such as an open bite or underbite.
3.7%
Long upper jaw
The upper jaw is excessively long, unbalancing the lower face proportions.
3.6%
Insufficient eye tilt
The outer corners of the eyes tilt downward, giving a droopy or sad look.
2.8%
Overly small eyes
The eyes are too small, creating a less balanced facial appearance.
2.7%
Overly retruded upper lip
The upper lip is set too far back, creating a flat or thin appearance.
2.7%
Thin upper lip
The upper lip lacks fullness, appearing too slim relative to the lower lip.
2.6%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
2.5%
Overprojected nose
The nose protrudes excessively, dominating the facial profile.
2.1%
Narrow forehead
The forehead is too slim relative to the face, reducing upper face balance.
2.0%
Overly harsh and prominent jaw
The jaw has a harsher, more robust, and prominent appearance than the ideal.
2.0%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.0%
Long lower third
The lower face is too tall, creating an elongated chin and jaw.
1.5%
Thin lower lip
The lower lip lacks fullness, appearing too slim relative to the upper lip.
0.5%
Short top third
The upper face (forehead) is too short, reducing vertical balance.
0.3%
Overly wide nose bridge
The nose bridge is excessively wide.
0.2%
Lacking cupid's bow
The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
4.8%
Minor Proportional Variations
3 ratios showing minor proportional variations that contribute to overall harmony score.
