Dua Lipa front
Deviation of IAA(Ipsilateral alar angle) & JFA(Jaw frontal angle)1.2
Dua Lipa side
Lower Lip Burstone Line2.9

Dua Lipa

Facial Harmony Analysis

Overall
7.3
Top 2.8%·Excellent harmony
Front
6.6
Top 13%
Side
8.4
Top 0.06%

Ratio Breakdown

Side Profile

Strengths

10.0
Ideal ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0
Ideal cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0
Ideal eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
10.0
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
10.0
Ideal jaw steepness
This contributes to a pleasant jaw contour due to the jaw being neither too steep nor too flat.
9.9
Proportionate lower face
This contributes to a proportionate facial structure; the lower face retains internal balance and harmony with the overall facial structure.
9.9
Balanced jaw growth
This contributes to a pleasant jaw contour in both the front and side profiles.
9.9
Balanced jaw shape
This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.9
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
9.9
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.9
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
9.9
Well-projected chin
This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.
9.9
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.8
Excellent mandibular projection
This contributes to a pleasant jaw contour by indicating that the lower jaw is not recessed or overly projected.
9.8
Excellent midface projection
This contributes to a harmonious midface due to the midface having ideal forward projection.
9.8
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
9.8
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
9.8
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.7
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.7
Excellent jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
9.7
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.5
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.5
Excellent jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
9.3
Good eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
8.8
Good upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
8.7
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Additional Strengths
2 ratios showing strong performance but not fitting into specific categorized strengths.

Areas for Improvement

5.8%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
3.0%
Wide mouth
The mouth is excessively wide, creating an unbalanced oral region.
2.7%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
2.4%
Narrow nose
The nose is too thin, appearing pinched or delicate relative to the face.
2.1%
Overly wide neck
The neck is excessively broad, often due to muscle bulk or fat, reducing definition.
1.8%
Overly full lower lip
The lower lip is excessively thick, creating disproportionate lip proportions.
1.8%
Round neck region
The neck lacks angularity, appearing soft and undefined in the profile view.
1.5%
Overly protruded lower lip
The lower lip juts out excessively, unbalancing the lower face.
1.5%
Overly long face shape
The face is excessively tall and narrow, creating an elongated appearance.
1.3%
Overly narrow nose bridge
The nose bridge is excessively narrow.
0.9%
Overly sloped forehead appearance
The forehead slopes backward excessively, altering upper face proportions.
0.7%
Wide forehead
The forehead is excessively wide, creating a disproportionate upper face.
1.6%
Minor Proportional Variations
2 ratios showing minor proportional variations that contribute to overall harmony score.