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Harmony
Loading Harmony
Harmony
Harmony


5.6
Good harmony
Top 43%FaceIQ Labs rates Franz Kafka's Harmony at 5.6, 556th of 764 men on the wiki. Harmony rates how closely the face's proportions, front and side, fall inside their ideal ranges. At the top of his breakdown are Anterior Facial Depth and Browridge Inclination Angle, both at 10.0; at the bottom, Nasofacial Angle at 1.5 and Neck Width at 0.3. Jared Leto (5.6), John F. Kennedy (5.6) and John Turk (5.6) come closest to Franz's Harmony score. The highest on the wiki is Alain Delon(prime), at 9.0.
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
10.0This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0This contributes to a harmonious midface due to the midface having ideal forward projection.
10.0This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.
10.0This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
10.0This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
9.9This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.9This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
9.9This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.9This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
9.7This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
9.7This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.7This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
8.9This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
8.813 ratios showing strong performance but not fitting into specific categorized strengths.
9.7The chin extends too far forward, unbalancing the facial profile.
7.4%The middle of the face is elongated, creating an unbalanced vertical proportion.
7.2%The upper jaw is less forward than ideal, reducing midface projection and facial harmony.
6.3%The neck is too slim, appearing delicate and less proportionate to the face.
4.5%The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
4.2%The lower jaw is too short, reducing lower face strength and balance.
4.2%The eyes appear excessively round.
3.4%The entire face is too short and wide, reducing overall proportion.
3.2%The ears protrude excessively from the head, creating an unbalanced profile appearance.
2.7%The face appears flattened or slightly concave, often due to an overprojected chin or recessed maxilla. This can indicate malocclusion, such as an underbite.
2.2%The mouth is too slim, reducing expressiveness and facial proportion.
2.0%The neck lacks angularity, appearing soft and undefined in the profile view.
1.9%The forehead is too slim relative to the face, reducing upper face balance.
1.2%The midface and jaw shapes do not align, reducing facial harmony.
1.0%The upper forehead slopes backward excessively.
0.9%The nose bridge is excessively narrow.
0.9%The midface is too tall, elongating the central face.
0.9%The lower face is too short, reducing chin and jaw prominence.
0.8%1 ratio showing minor proportional variations that contribute to overall harmony score.
0.6%Franz Kafka's Harmony score is 5.6 in FaceIQ Labs' analysis, which rates how closely the face's proportions, front and side, fall inside their ideal ranges.
By Harmony score, Franz Kafka is ranked 556th of 764 men on the wiki.