Loading Harmony
Harmony
Loading Harmony
Harmony
Harmony


7.9
Exceptional harmony
Top 0.5%This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
10.0This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
10.0This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
10.0This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
10.0This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
10.0This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
10.0This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
10.0This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
10.0This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
10.0This contributes to a pleasant jaw contour due to the jaw being neither too steep nor too flat.
9.9This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
9.8This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.8This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.8This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.
9.7This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
9.7This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
9.6This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.6This indicates optimal forward projection relative to nasal height and facial structure.
9.6This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.6This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.5This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.
9.5This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.4This contributes to a harmonious midface due to the eyes being proportionate in size relative to facial width.
9.4This contributes to a harmonious midface due to the midface having ideal forward projection.
9.3This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
9.1This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
8.9This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
8.53 ratios showing strong performance but not fitting into specific categorized strengths.
9.8The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
5.2%The upper jaw is excessively long, unbalancing the lower face proportions.
5.2%The lower jaw is too short, reducing lower face strength and balance.
2.8%The middle of the face is elongated, creating an unbalanced vertical proportion.
2.8%The midface and jaw shapes do not align, reducing facial harmony.
1.7%The face is excessively tall and narrow, creating an elongated appearance.
1.3%The forehead slopes backward excessively, altering upper face proportions.
1.2%The upper face is too tall, creating an unbalanced forehead proportion.
0.8%The nose bridge is excessively narrow.
0.3%4 ratios showing minor proportional variations that contribute to overall harmony score.
3.1%