This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.

This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.

This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.

This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.

This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

8 ratios showing strong performance but not fitting into specific categorized strengths.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The upper jaw is less forward than ideal, reducing midface projection and facial harmony.

The jaw has a softer, rounder shape, often less angular and robust than the ideal.

The jaw angles sharply downward, creating a narrow or pointed chin effect.

The chin extends too far forward, unbalancing the facial profile.

The jaw grows with an overly steep angle, resulting in a long or narrow lower face. This can indicate malocclusion, such as an open bite or underbite.

The upper jaw is excessively long, unbalancing the lower face proportions.

The forehead has a softer, less prominent ridge than the ideal.

The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The nose is too broad, creating an unbalanced facial appearance.

The outer corners of the eyes tilt downward, giving a droopy or sad look.

The mouth is too slim, reducing expressiveness and facial proportion.

The neck lacks angularity, appearing soft and undefined in the profile view.

The midface is underprojected.

The face is excessively tall and narrow, creating an elongated appearance.

The forehead slopes backward excessively, altering upper face proportions.

The eyes appear excessively round.

The nose bridge is excessively narrow.

The face appears flattened or slightly concave, often due to an overprojected chin or recessed maxilla. This can indicate malocclusion, such as an underbite.

The area around the eyes appears hollow, reducing vibrancy and youthfulness.

The nose tip is excessively pointed, creating a harsh appearance.

4 ratios showing minor proportional variations that contribute to overall harmony score.