Loading Harmony
Harmony
Loading Harmony
Harmony
Harmony


7.1
Great harmony
Top 4.7%This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
10.0This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
10.0This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
10.0This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
10.0This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
10.0This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.
10.0This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
9.9This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
9.9This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.9This contributes to a harmonious midface due to the eyes being proportionate in size relative to facial width.
9.8This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.7This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.
9.7This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
9.7This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
9.7This contributes to a harmonious midface due to the midface not being overly elongated or shortened.
9.6This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.6This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
9.5This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.4This contributes to a harmonious midface due to the midface having ideal forward projection.
9.3This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.19 ratios showing strong performance but not fitting into specific categorized strengths.
9.6The chin extends too far forward, unbalancing the facial profile.
6.5%The upper jaw is less forward than ideal, reducing midface projection and facial harmony.
6.2%The face is excessively tall and narrow, creating an elongated appearance.
3.5%The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
2.9%The face appears flattened or slightly concave, often due to an overprojected chin or recessed maxilla. This can indicate malocclusion, such as an underbite.
2.9%The upper jaw is too short, creating an unbalanced lower face proportion.
2.8%The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.2%The midface and jaw shapes do not align, reducing facial harmony.
0.6%The lower face is too tall, creating an elongated chin and jaw.
0.6%The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
0.2%10 ratios showing minor proportional variations that contribute to overall harmony score.
8.2%