
Top Third4.5

Nasal Tip Angle1.7
Eiza González
Facial Harmony Analysis
Overall
7.4
Top 2%·Excellent harmony
Front
8.2
Top 0.2%
Side
6.2
Top 23%
Ratio Breakdown
Side Profile
Strengths
10.0
Ideal nose bridge width
This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.
10.0
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Ideal upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
10.0
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
10.0
Ideal neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
10.0
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
10.0
Harmonious midface and jaw alignment
This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.
10.0
Ideal eye spacing
This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.
10.0
Ideal eye size
This contributes to a harmonious midface due to the eyes being proportionate in size relative to facial width.
9.9
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
9.9
Excellent eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
9.7
Excellent nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
9.7
Excellent mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.7
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
9.6
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.6
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
9.5
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.4
Excellent eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
9.4
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.4
Excellent cupid's bow depth
This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
9.4
Excellent interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.4
Excellent jaw length
This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
9.3
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
8.8
Good jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
9.7
Additional Strengths
11 ratios showing strong performance but not fitting into specific categorized strengths.
Areas for Improvement
3.9%
Maxillary recession
The upper jaw is less forward than ideal, reducing midface projection and facial harmony.
3.6%
Overly long face shape
The face is excessively tall and narrow, creating an elongated appearance.
2.6%
Droopy nose
The nose droops downward, creating an unbalanced nasal profile.
2.6%
Overprojected chin
The chin extends too far forward, unbalancing the facial profile.
1.7%
Long top third
The upper face is too tall, creating an unbalanced forehead proportion.
1.3%
Overly sharp and pointed nasal tip
The nose tip is excessively pointed, creating a harsh appearance.
1.2%
Disproportionate lower face (long chin or short philtrum)
The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
1.2%
Short middle third
The midface is too short vertically, compressing the central face.
0.8%
Overly sloped forehead appearance
The forehead slopes backward excessively, altering upper face proportions.
4.8%
Minor Proportional Variations
5 ratios showing minor proportional variations that contribute to overall harmony score.

















