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Harmony
Loading Harmony
Harmony
Harmony


7.2
Excellent harmony
Top 3.6%In FaceIQ Labs' Harmony analysis, Kai Havertz scores 7.2, 274th of 796 men on the wiki, in the top 35%. Harmony rates how closely the face's proportions, front and side, fall inside their ideal ranges. At the top of his breakdown are Bigonial width and Browridge Inclination Angle, both at 10.0; at the bottom, Lower Third at 2.9 and Facial Convexity (Glabella) at 2.2. Among the other celebrities, Joseph Zada (7.2), Chris Henry (7.2) and Johan Drumev (7.2) sit closest. The highest on the wiki is David Rosenberg (Model), at 8.9.
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0This contributes to a harmonious face shape due to the face being neither too short nor too long.
10.0This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
10.0This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
10.0This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
10.0This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
10.0This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
10.0This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
10.0This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
10.0This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.
9.9This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
9.8This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.8This contributes to a harmonious midface due to the midface having ideal forward projection.
9.8This indicates optimal forward projection relative to nasal height and facial structure.
9.7This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
9.7This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.7This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.6This contributes to a harmonious midface due to the eyes being proportionate in size relative to facial width.
9.5This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
9.3This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.
9.3This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.
9.2This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
9.1This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
9.0This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
8.8This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
8.68 ratios showing strong performance but not fitting into specific categorized strengths.
9.7The jaw grows with an overly steep angle, resulting in a long or narrow lower face. This can indicate malocclusion, such as an open bite or underbite.
5.8%The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
4.9%The face appears overly rounded, often due to excessive forward projection of the upper, middle, or lower face. This can indicate malocclusion, such as an overbite or overjet.
4.5%The chin lacks forward projection, creating a weak lower face appearance.
4.5%The jaw angles sharply downward, creating a narrow or pointed chin effect.
3.6%The jaw has a harsher, more robust, and prominent appearance than the ideal.
2.2%The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.2%The lower jaw is too long, creating a heavy or extended lower face.
2.2%The lower face is too tall, creating an elongated chin and jaw.
2.2%The neck lacks angularity, appearing soft and undefined in the profile view.
2.1%The ears protrude excessively from the head, creating an unbalanced profile appearance.
2.1%The middle of the face is elongated, creating an unbalanced vertical proportion.
1.5%The vertical jawbone is too short, leading to inadequate jaw height and definition.
1.4%The upper forehead slopes backward excessively.
0.7%The midface is too short vertically, compressing the central face.
0.7%The eyebrows arch too high, creating an overly expressive or surprised look.
0.5%The nose tip is excessively pointed, creating a harsh appearance.
0.4%7 ratios showing minor proportional variations that contribute to overall harmony score.
3.0%Kai Havertz's Harmony score is 7.2 in FaceIQ Labs' analysis, which rates how closely the face's proportions, front and side, fall inside their ideal ranges.
By Harmony score, Kai Havertz is ranked 274th of 796 men on the wiki, in the top 35%.