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Harmony
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Harmony
Harmony


7.8
Exceptional harmony
Top 0.6%In FaceIQ Labs' Harmony analysis, Keiko Matsuzaka scores 7.8, 112th of 502 women on the wiki, in the top 23%. Harmony rates how closely the face's proportions, front and side, fall inside their ideal ranges. Her strongest measurements are Anterior Facial Depth and Ear Protrusion Ratio, both at 10.0, and her weakest are Deviation of IAA(Ipsilateral alar angle) & JFA(Jaw frontal angle) at 4.5 and Mouth width to nose width ratio at 2.9. The closest Harmony scores on the wiki belong to Kazhua (7.8), Dasha Taran (7.9) and Gemma Ward (7.8). Sharam Diniz has the highest, at 9.2.
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
10.0This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
10.0This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
10.0This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
10.0This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
10.0This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
10.0This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
10.0This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
10.0This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.9This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
9.9This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
9.9This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.9This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.8This contributes to a pleasant jaw contour in both the front and side profiles.
9.8This contributes to a proportionate facial structure; the lower face retains internal balance and harmony with the overall facial structure.
9.7This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
9.7This contributes to a harmonious midface due to the midface having ideal forward projection.
9.6This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
9.6This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.5This contributes to a pleasant jaw contour due to the jaw being neither too steep nor too flat.
9.5This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.5This contributes to a harmonious lower face due to the jaw not lacking length or being overly long.
9.5This contributes to a harmonious face shape due to the face being neither too short nor too long.
9.4This contributes to a harmonious midface due to the midface not being overly elongated or shortened.
9.4This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
9.3This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.3This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
9.3This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
9.2This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
9.1This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
9.04 ratios showing strong performance but not fitting into specific categorized strengths.
9.9The eyes are positioned too close together, reducing midface balance.
4.4%The nose is too broad, creating an unbalanced facial appearance.
2.2%The mouth is too slim, reducing expressiveness and facial proportion.
2.2%The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
1.9%The chin lacks forward projection, creating a weak lower face appearance.
1.9%The midface and jaw shapes do not align, reducing facial harmony.
1.7%The neck lacks angularity, appearing soft and undefined in the profile view.
1.4%The nose bridge is excessively narrow.
0.5%The area around the eyes appears hollow, reducing vibrancy and youthfulness.
0.5%4 ratios showing minor proportional variations that contribute to overall harmony score.
3.6%Keiko Matsuzaka's Harmony score is 7.8 in FaceIQ Labs' analysis, which rates how closely the face's proportions, front and side, fall inside their ideal ranges.
By Harmony score, Keiko Matsuzaka is ranked 112th of 502 women on the wiki, in the top 23%.