This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a harmonious face shape due to the face being neither too short nor too long.

This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.

This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a harmonious lower face due to the neck having a sharp, angular contour.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a harmonious midface due to the midface having ideal forward projection.

This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

11 ratios showing strong performance but not fitting into specific categorized strengths.

The jaw has a softer, rounder shape, often less angular and robust than the ideal.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The nose is too long vertically, unbalancing the midface proportions.

The jaw angles sharply downward, creating a narrow or pointed chin effect.

The chin extends too far forward, unbalancing the facial profile.

The upper jaw is less forward than ideal, reducing midface projection and facial harmony.

The midface is too tall, elongating the central face.

The upper lip is set too far back, creating a flat or thin appearance.

The upper lip lacks fullness, appearing too slim relative to the lower lip.

The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The lower face is too short, reducing chin and jaw prominence.

The eyes appear excessively round.

The forehead slopes backward excessively, altering upper face proportions.

The midface and jaw shapes do not align, reducing facial harmony.

The nose bridge is excessively narrow.

The eyebrows arch too high, creating an overly expressive or surprised look.

7 ratios showing minor proportional variations that contribute to overall harmony score.