This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.

This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.

This contributes to a harmonious face shape due to the face being neither too short nor too long.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.

This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.

This contributes to a pleasant jaw contour due to the jaw having ideal proportions.

This contributes to a pleasant jaw contour due to the jaw being neither too steep nor too flat.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.

This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.

This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a harmonious midface due to the midface having ideal forward projection.

This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.

10 ratios showing strong performance but not fitting into specific categorized strengths.

The cheekbones are positioned too low, reducing midface prominence and youthfulness.

The outer corners of the eyes tilt downward, giving a droopy or sad look.

The upper jaw is less forward than ideal, reducing midface projection and facial harmony.

The upper jaw is too short, creating an unbalanced lower face proportion.

The chin extends too far forward, unbalancing the facial profile.

The ears protrude excessively from the head, creating an unbalanced profile appearance.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The upper forehead slopes backward excessively.

The middle of the face is too short, appearing compressed or wide.

The central midface is too wide, often due to wide-set eyes or a short nose.

The neck lacks angularity, appearing soft and undefined in the profile view.

The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.

The eyebrows lack adequate horizontal length.

The mouth corners are downturned, creating a frowning or sad appearance.

The nose bridge is excessively narrow.

The eyebrows lack arch or tilt, appearing straight and less dynamic.

The lower face is too tall, creating an elongated chin and jaw.

The forehead slopes backward excessively, altering upper face proportions.

The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.

3 ratios showing minor proportional variations that contribute to overall harmony score.