This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.

This contributes to a harmonious face shape due to the face being neither too short nor too long.

This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.

This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.

This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

16 ratios showing strong performance but not fitting into specific categorized strengths.

The jaw has a softer, rounder shape, often less angular and robust than the ideal.

The upper jaw is less forward than ideal, reducing midface projection and facial harmony.

The nose appears too soft and weak, creating an unbalanced nasal profile.

The outer corners of the eyes tilt upward excessively, creating an exaggerated look.

The jaw angles sharply downward, creating a narrow or pointed chin effect.

The neck lacks angularity, appearing soft and undefined in the profile view.

The chin extends too far forward, unbalancing the facial profile.

The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The jaw grows with a flatter angle, resulting in a short or overly wide lower face. This can indicate malocclusion, such as a deep bite or overbite.

The nose is too broad, creating an unbalanced facial appearance.

The mouth is too slim, reducing expressiveness and facial proportion.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The lower face is too short, reducing chin and jaw prominence.

The upper face is too tall, creating an unbalanced forehead proportion.

The eyes appear excessively round.

The face appears flattened or slightly concave, often due to an overprojected chin or recessed maxilla. This can indicate malocclusion, such as an underbite.

The nose bridge is excessively narrow.

The midface and jaw shapes do not align, reducing facial harmony.

The upper forehead slopes backward excessively.

The eyebrows lack adequate horizontal length.

6 ratios showing minor proportional variations that contribute to overall harmony score.