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Harmony
Loading Harmony
Harmony
Harmony


5.4
Good harmony
Top 46%FaceIQ Labs rates Michael Cera's Harmony at 5.4, 561st of 713 men on the wiki. Harmony rates how closely the face's proportions, front and side, fall inside their ideal ranges. His strongest measurements are Bigonial width and Browridge Inclination Angle, both at 10.0, and his weakest are Lower Third Proportion at 0.3 and Submental Cervical Angle at 0.0. The closest Harmony scores on the wiki belong to Jake Gyllenhaal (5.4), Tiger Shroff (5.4) and Ed Sheeran (5.4). Alain Delon(prime) has the highest, at 9.0.
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
10.0This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.
10.0This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
10.0This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
10.0This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
10.0This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
10.0This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.
9.9This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
9.9This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.9This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
9.9This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.9This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
9.8This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
9.8This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
9.8This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.7This contributes to a harmonious midface due to the midface having ideal forward projection.
9.7This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
9.6This contributes to a harmonious midface due to the nose not lacking vertical length or being overly long.
9.6This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.5This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.5This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
9.4This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
9.1This contributes to a pleasant jaw contour due to the jaw having ideal proportions.
9.1This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
8.83 ratios showing strong performance but not fitting into specific categorized strengths.
9.7The chin lacks forward projection, creating a weak lower face appearance.
13.1%The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
12.4%The jaw grows with an overly steep angle, resulting in a long or narrow lower face. This can indicate malocclusion, such as an open bite or underbite.
6.7%The face appears overly rounded, often due to excessive forward projection of the upper, middle, or lower face. This can indicate malocclusion, such as an overbite or overjet.
6.1%The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
5.8%The upper jaw is excessively long, unbalancing the lower face proportions.
5.8%The lower jaw is too short, reducing lower face strength and balance.
5.8%The neck lacks angularity, appearing soft and undefined in the profile view.
4.6%The entire face is too short and wide, reducing overall proportion.
4.0%The jaw has a softer, rounder shape, often less angular and robust than the ideal.
2.8%The middle of the face is elongated, creating an unbalanced vertical proportion.
2.6%The eyes are positioned too close together, reducing midface balance.
2.5%The eyes appear excessively round.
1.8%The upper jaw is less forward than ideal, reducing midface projection and facial harmony.
1.8%The eyebrows lack adequate horizontal length.
0.9%The eyebrows arch too high, creating an overly expressive or surprised look.
0.7%The forehead is too slim relative to the face, reducing upper face balance.
0.5%3 ratios showing minor proportional variations that contribute to overall harmony score.
4.2%Michael Cera's Harmony score is 5.4 in FaceIQ Labs' analysis, which rates how closely the face's proportions, front and side, fall inside their ideal ranges.
By Harmony score, Michael Cera is ranked 561st of 713 men on the wiki.