Loading Harmony
Harmony
Loading Harmony
Harmony
Harmony


7.7
Exceptional harmony
Top 1%This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.
10.0This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
10.0This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
10.0This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.
10.0This contributes to a harmonious midface due to the eyes being proportionate in size relative to facial width.
10.0This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
10.0This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
10.0This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
10.0This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.
9.9This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
9.9This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
9.8This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
9.8This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
9.8This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
9.8This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.8This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.7This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.7This contributes to a harmonious lower face due to the chin sitting neither too far forward nor too far back.
9.7This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.6This contributes to a harmonious face shape due to the face being neither too short nor too long.
9.5This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
9.5This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
9.3This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.
9.111 ratios showing strong performance but not fitting into specific categorized strengths.
9.9The jaw grows with an overly steep angle, resulting in a long or narrow lower face. This can indicate malocclusion, such as an open bite or underbite.
4.2%The upper jaw is excessively long, unbalancing the lower face proportions.
4.2%The middle of the face is elongated, creating an unbalanced vertical proportion.
2.8%The lower lip juts out excessively, unbalancing the lower face.
2.5%The lower lip is excessively thick, creating disproportionate lip proportions.
2.5%The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.2%The lower jaw is too short, reducing lower face strength and balance.
2.2%The jaw has a harsher, more robust, and prominent appearance than the ideal.
2.0%The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.0%The lower face is too tall, creating an elongated chin and jaw.
2.0%The midface is underprojected.
1.7%The upper lip extends too far forward, disrupting facial harmony.
1.6%The upper lip is excessively thick, creating disproportionate lip proportions.
1.6%The area around the eyes appears hollow, reducing vibrancy and youthfulness.
0.6%6 ratios showing minor proportional variations that contribute to overall harmony score.
7.0%