Nayeon (TWICE) front
Lower Third Proportion0.5
Nayeon (TWICE) side
Recession relative to frankfort plane1.4

Nayeon (TWICE)

Facial Harmony Analysis

Overall
6.0
Top 28%·Good harmony
Front
6.5
Top 16%
Side
5.3
Top 47%

Ratio Breakdown

Side Profile

Strengths

10.0
Ideal jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
10.0
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
10.0
Harmonious ear protrusion
This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Ideal neck width
This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.
10.0
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0
Harmonious facial convexity
This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.
9.9
Excellent maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
9.9
Excellent interior midface width
This contributes to a harmonious midface due to the central midface being neither too narrow or broad.
9.9
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
9.8
Excellent mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
9.8
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.7
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
9.6
Excellent nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
9.6
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
9.6
Excellent eye size
This contributes to a harmonious midface due to the eyes being proportionate in size relative to facial width.
9.5
Excellent eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
9.4
Excellent eye spacing
This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.
9.4
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
8.9
Good eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
8.7
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
9.5
Additional Strengths
7 ratios showing strong performance but not fitting into specific categorized strengths.

Areas for Improvement

5.8%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
5.8%
Short lower jaw
The lower jaw is too short, reducing lower face strength and balance.
4.2%
Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
4.0%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
4.0%
Underprojected chin
The chin lacks forward projection, creating a weak lower face appearance.
2.9%
Long upper jaw
The upper jaw is excessively long, unbalancing the lower face proportions.
1.8%
Overly long face shape
The face is excessively tall and narrow, creating an elongated appearance.
1.7%
Underprojected midface
The midface is underprojected.
1.5%
Overly round eye shape
The eyes appear excessively round.
1.4%
Wide forehead
The forehead is excessively wide, creating a disproportionate upper face.
1.4%
Long top third
The upper face is too tall, creating an unbalanced forehead proportion.
1.4%
Overly full lower lip
The lower lip is excessively thick, creating disproportionate lip proportions.
1.3%
Overly sloped forehead appearance
The forehead slopes backward excessively, altering upper face proportions.
1.1%
Short lower third
The lower face is too short, reducing chin and jaw prominence.
1.1%
Overly protruded lower lip
The lower lip juts out excessively, unbalancing the lower face.
0.7%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
0.5%
Overly wide nose bridge
The nose bridge is excessively wide.
0.5%
Overly sloped upper forehead
The upper forehead slopes backward excessively.
0.2%
Lacking cupid's bow
The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
9.1%
Minor Proportional Variations
7 ratios showing minor proportional variations that contribute to overall harmony score.