This contributes to a harmonious face shape due to the face being neither too short nor too long.

This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.

This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This contributes to a harmonious lower face due to the neck having a sharp, angular contour.

This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.

This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.

This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.

This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

10 ratios showing strong performance but not fitting into specific categorized strengths.

The jaw grows with an overly steep angle, resulting in a long or narrow lower face. This can indicate malocclusion, such as an open bite or underbite.

The jaw angles sharply downward, creating a narrow or pointed chin effect.

The eyes are too small, creating a less balanced facial appearance.

The jaw has a softer, rounder shape, often less angular and robust than the ideal.

The upper jaw is less forward than ideal, reducing midface projection and facial harmony.

The upper jaw is excessively long, unbalancing the lower face proportions.

The chin extends too far forward, unbalancing the facial profile.

The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The face appears flattened or slightly concave, often due to an overprojected chin or recessed maxilla. This can indicate malocclusion, such as an underbite.

The eyes are positioned too close together, reducing midface balance.

The lower jaw is too short, reducing lower face strength and balance.

The nose is too broad, creating an unbalanced facial appearance.

The mouth is too slim, reducing expressiveness and facial proportion.

The midface and jaw shapes do not align, reducing facial harmony.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The upper face is too tall, creating an unbalanced forehead proportion.

The forehead slopes backward excessively, altering upper face proportions.

The lower jaw is set back, creating a less prominent chin and an unbalanced profile.

The eyebrows lack adequate horizontal length.

The forehead is too slim relative to the face, reducing upper face balance.

The eyebrows arch too high, creating an overly expressive or surprised look.

The midface is too short vertically, compressing the central face.

The jaw is too slim, creating a delicate or less robust lower face appearance.

The nose bridge is excessively narrow.

6 ratios showing minor proportional variations that contribute to overall harmony score.