This contributes to a harmonious midface due to the nose having a balanced shape and projection.

This contributes to a harmonious face shape due to the face being neither too short nor too long.

This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.

This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.

This contributes to a harmonious lower face due to the neck having a sharp, angular contour.

This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.

This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.

This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a harmonious midface due to the central midface being neither too narrow or broad.

This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.

This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.

This contributes to a harmonious midface due to the midface having ideal forward projection.

This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

7 ratios showing strong performance but not fitting into specific categorized strengths.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The outer corners of the eyes tilt downward, giving a droopy or sad look.

The eyebrows are positioned slightly too high, altering the upper face's proportions and resulting in a less striking appearance.

The midface and jaw shapes do not align, reducing facial harmony.

The eyes are positioned too close together, reducing midface balance.

The jaw angles sharply downward, creating a narrow or pointed chin effect.

The jaw has a harsher, more robust, and prominent appearance than the ideal.

The lower face is too tall, creating an elongated chin and jaw.

The nose is overly upturned, creating an unbalanced nasal profile.

The cheekbones are moderately low, providing limited midface definition.

The neck is excessively broad, often due to muscle bulk or fat, reducing definition.

The upper face (forehead) is too short, reducing vertical balance.

The nose tip is excessively pointed, creating a harsh appearance.

The eyebrows lack adequate horizontal length.

The jaw is too slim, creating a delicate or less robust lower face appearance.

The nose bridge is excessively narrow.

The eyebrows lack arch or tilt, appearing straight and less dynamic.

The forehead is too slim relative to the face, reducing upper face balance.

12 ratios showing minor proportional variations that contribute to overall harmony score.