This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.

This contributes to a harmonious face shape due to the face being neither too short nor too long.

This contributes to a harmonious face shape due to the midface and jaw shapes aligning perfectly.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a harmonious lower face due to the neck being neither too wide nor too thin.

This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.

This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.

This contributes to a pleasant jaw contour due to the jaw having ideal proportions.

This contributes to a pleasant jaw contour due to the jaw being neither too steep nor too flat.

This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a harmonious midface due to the eyes being proportionate in size relative to facial width.

This contributes to a harmonious midface due to the central midface being neither too narrow or broad.

This contributes to a harmonious midface due to the eyes being neither too close nor too far apart.

This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.

This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.

This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.

This contributes to a harmonious lower face due to the neck having a sharp, angular contour.

6 ratios showing strong performance but not fitting into specific categorized strengths.

The upper jaw is excessively long, unbalancing the lower face proportions.

The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The outer corners of the eyes tilt downward, giving a droopy or sad look.

The jaw has a softer, rounder shape, often less angular and robust than the ideal.

The lower jaw is too short, reducing lower face strength and balance.

The middle of the face is elongated, creating an unbalanced vertical proportion.

The nose protrudes excessively, dominating the facial profile.

The lower face is too tall, creating an elongated chin and jaw.

The forehead slopes backward excessively, altering upper face proportions.

The nose bridge is excessively narrow.

The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.

12 ratios showing minor proportional variations that contribute to overall harmony score.