FaceIQ Labs rates Rorz's Harmony at 6.1, 468th of 712 men on the wiki. Harmony rates how closely the face's proportions, front and side, fall inside their ideal ranges. His strongest measurements are Anterior Facial Depth and Bigonial width, both at 10.0, and his weakest are One Eye Apart Test at 3.7 and Face Width to Height Ratio at 1.9. Ferran Torres (6.1), Central Cee (6.1) and Bruce Lee (6.1) come closest to Rorz's Harmony score. Alain Delon(prime) has the highest, at 9.0.

Strengths

Ideal maxillary projection
This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.
10.0
Ideal jaw width
This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.
10.0
Ideal nose width
This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.
10.0
Ideal nose bridge width
This contributes to a harmonious nasal profile due to the nose bridge being neither too wide nor too narrow.
10.0
Ideal mouth width
This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.
10.0
Ideal forehead width
This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.
10.0
Ideal forehead slope
This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.
10.0
Balanced eye shape
This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.
10.0
Well-positioned eyebrows
This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.
10.0
Balanced eyebrow tilt
This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.
10.0
Ideal eyebrow length
This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.
10.0
Defined neck contour
This contributes to a harmonious lower face due to the neck having a sharp, angular contour.
10.0
Balanced brow ridge
This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.
10.0
Well-positioned upper lip
This contributes to a harmonious mouth region due to the upper lip sitting neither too far forward nor too far back.
10.0
Balanced upper lip fullness
This contributes to a harmonious mouth region due to the upper lip being neither too full nor too thin.
10.0
Well-projected nose
This indicates optimal forward projection relative to nasal height and facial structure.
10.0
Balanced nasal profile
This contributes to a harmonious midface due to the nose having a balanced shape and projection.
10.0
Well-positioned lower lip
This contributes to a harmonious mouth region due to the lower lip sitting neither too far forward nor too far back.
9.9
Balanced lower lip fullness
This contributes to a harmonious mouth region due to the lower lip being neither too full nor too thin.
9.9
Refined nasal tip
This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.
9.9
Balanced facial thirds
This contributes to a harmonious face shape; the top, middle, and Lower Thirds are neither too short nor too long.
9.9
Excellent ramus length
This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.
9.7
Well-positioned cheekbones
This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.
9.3
Good eye tilt
This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.
9.2
Well-contoured orbital region
This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.
8.9
Good upper forehead slope
This contributes to a pleasant upper forehead contour by indicating that the upper forehead slopes at an ideal angle.
8.5
Additional Strengths
5 ratios showing strong performance but not fitting into specific categorized strengths.
9.8

Areas for improvement

Long midface
The middle of the face is elongated, creating an unbalanced vertical proportion.
7.5%
Wide-set eyes
The eyes are too far apart, creating a wide or stretched midface appearance.
4.0%
Mandibular recession
The lower jaw is set back, creating a less prominent chin and an unbalanced profile.
3.9%
Underprojected chin
The chin lacks forward projection, creating a weak lower face appearance.
3.9%
Steep jaw
The jaw angles sharply downward, creating a narrow or pointed chin effect.
3.9%
Thin neck
The neck is too slim, appearing delicate and less proportionate to the face.
2.7%
Overly long face shape
The face is excessively tall and narrow, creating an elongated appearance.
2.6%
Disproportionate lower face (short chin or long philtrum)
The chin appears too short relative to the philtrum, OR the philtrum appears too long relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.
2.1%
Disharmonious midface and jaw alignment
The midface and jaw shapes do not align, reducing facial harmony.
1.5%
Rounder convex facial profile
The face appears overly rounded, often due to excessive forward projection of the upper, middle, or lower face. This can indicate malocclusion, such as an overbite or overjet.
1.2%
Lacking cupid's bow
The lips lack a prominent cupid's bow, creating an unbalanced facial appearance.
0.2%
Minor Proportional Variations
7 ratios showing minor proportional variations that contribute to overall harmony score.
8.3%