This contributes to a pleasant jaw contour due to the jaw being neither too wide nor too narrow.

This contributes to a pleasant jaw contour by indicating the vertical part of the jawbone has ideal length.

This contributes to a harmonious nasal profile due to the nasal tip being well-defined and proportionate.

This contributes to a harmonious cheek region; the cheekbones are high-set and provide structural support to the midface.

This contributes to a pleasant forehead contour due to the forehead being neither too wide nor too narrow.

This contributes to a pleasant upper face due to the brow ridge being neither too harsh or soft.

This contributes to a pleasant forehead contour by indicating that the forehead is neither too steep nor too flat.

This contributes to a harmonious eye region due to the eyes being neither too round nor too narrow.

This contributes to a harmonious eye region due to the eyebrows being positioned neither too high nor too low.

This contributes to a harmonious eye region due to the eyebrows being tilted neither too upward nor too downward.

This contributes to a harmonious midface due to the area around the eyes having sufficient volume and projection.

This contributes to a pleasant jaw contour due to the jaw having ideal proportions.

This contributes to a balanced frontal profile by indicating that the ears project neither too far from nor too close to the head.

This contributes to a pleasant nose contour due to the nose being neither too wide nor too narrow.

This contributes to a harmonious lip region due to the cupid's bow having ideal definition and depth.

This contributes to a pleasant facial profile by indicating balanced curvature; the facial profile is neither too flat nor too curved.

This contributes to a pleasant midface projection by indicating that the upper jaw is not overly projected or recessed.

This contributes to a pleasant mouth contour by indicating that the mouth is neither too wide nor too narrow.

This contributes to a harmonious eye region due to the eyes being neither too upturned nor too downturned.

This contributes to a harmonious eye region due to the eyebrows having ideal horizontal length relative to face width.

10 ratios showing strong performance but not fitting into specific categorized strengths.

The eyes are positioned too close together, reducing midface balance.

The chin appears too long relative to the philtrum, OR the philtrum appears too short relative to the chin. Since we measure ratios rather than absolute lengths, these two conditions cannot be distinguished and represent the same proportional imbalance in the lower face.

The upper jaw is too short, creating an unbalanced lower face proportion.

The lower jaw is too long, creating a heavy or extended lower face.

The neck lacks angularity, appearing soft and undefined in the profile view.

The nose protrudes excessively, dominating the facial profile.

The lower lip is too recessed, reducing fullness and profile balance.

The lower lip lacks fullness, appearing too slim relative to the upper lip.

The entire face is too short and wide, reducing overall proportion.

The midface and jaw shapes do not align, reducing facial harmony.

The neck is too slim, appearing delicate and less proportionate to the face.

The upper forehead slopes backward excessively.

The lower face is too short, reducing chin and jaw prominence.

The upper lip is set too far back, creating a flat or thin appearance.

The nose droops downward, creating an unbalanced nasal profile.

The upper face is too tall, creating an unbalanced forehead proportion.

The nose bridge is excessively narrow.

6 ratios showing minor proportional variations that contribute to overall harmony score.